Growing Down: Songs of Childhood and Play

++ Growing Down: Songs of Childhood and Play
Sick of growing up?
Sing about growing down!

‘Growing Down’ is an initiative to produce a compilation of music (all languages, styles) exploring aspects of childhood and play.

The compilation has been inspired by the fragmented conversations we have with the child within us. As adults the disconnect we feel from the people and spaces around us often suffocates our spontaniety.

This effort has come up in response to our work on ‘Spirited Caravans,’ a process of setting up mobile cultural spaces across Bangalore’s diverse neighbourhoods and programming the spaces with projects around the theme of ‘Children and the City.’

The selected 15 tracks will be compiled into the ‘Growing Down’ album which will be released online and on a CD along with our partner labels. To know more, visit our website at http://growingdown.cityspinning.org

Deadline: October 15th, 2009

>> Contact

URL: http://growingdown.cityspinning.org
Email: growingdown@cityspinning.org

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Advaita live at Kyra, Bangalore

It’s strange to review a music concert and to say that the only thing missing was silence. But, strangely enough, that’s exactly how I felt after spending two hours listening to Advaita at Kyra, Indiranagar. Probably because I was wayyyy too close to the speakers sitting right in the front :) Anyway, to the music….

Advaita call themselves ‘a psychedelic/eclectic fusion band from New Delhi’. With eight members, the stage is crowded and the potential to go wrong is huge. Someone missing a beat, someone playing a wrong note. But with Advaita – this is impossible. Musically – they are superb. Tight, professional, and skilled.

The gig started with Mukti - something I hadn’t heard before. Quite nice, quite tight – setting high expectations. However, a few songs later, things seemed to get repetitive. Very nice layering, very nice harmonies (Anindo and Chayan), very very nice Sarangi (Suhail Yusuf Khan) and very very very nice Hindustani vocals (Ujwal Nagar). Most of the songs started softly and developed into a feverish pitch with superb drumming by Aman Singh Rathore. However, there was nothing to differentiate one song from another. The tunes weren’t really the kind that would get stuck in my head and I’d be humming them hours later.

But then came Why, one of their more catchy songs in my opinion. Chayan’s sweet, sweet voice completely enthralled me, and the staple diet of good rock music that Abhishek, Aman and Anindo grew up listening to became obvious. After Why, Advaita became an immersive act.

Desert Rain had some excellent solos by all members. Suhail on Sarangi – amazing, Abhishek’s guitaring – the fluidity and the Indian classical touch and the lovely slightly off jazz notes – loved it! But who I loved the most was Gaurav Chintamini on bass. He made playing the bass look easy! Enough that I would go to the next shop, pick up a bass and assume I should be able to play as easily! Crazy riffs – throughout!

Other songs I liked – Gates of Dawn, song Chayan tried to make the audience sing rock style, and Light. Very powerful, very strong.

To some of the low points: Lyrics are weak. Vocals were used more as an instrument – to sound good but not say anything substantial. Thats my other problem with Advaita – the instrument layering is in such depth – that the vocals get completely lost. And no one seems to take the lead (aside from Suhail on Sarangi – on occassion). There is such equality among the instruments – that there is no pivotal focus point – which is quite important in a live performance (in my opinion).

Then the tabla player was doing what? I don’t know. He was dancing/head bopping to the music more often then playing tabla. I think he could have definitely played a more prominent role.

Then the hindustani singer – he has an amazing voice – could definitely be to sing more than nice sounding scales. And what happened to ‘Mere Yaar’?? They ditched it at the last minute!

To Kyra – its an interesting space. A very personal space. Not intended for such a loud act as the one we witnessed. Advaita’s act was suited more for an open air amphitheatre gig. Perhaps they should try an acoustic gig – that would be very, very interesting to watch.  Hear the silence between the music that is the music!

Photos coming soon! (And bootleg recordings :D )

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Political Attyachar: Mp3 with Poster!

Rough cut of the my first song created on FL Studio (fruity loops). Background is inspired from Dev-D’s emotional attyachar – the voice overs are a mash up from various YouTube videos of political leaders. Inspiration for this happened after a trip to Vidarbha, Maharashtra, where we met Vijay, a TISS grad, who was working with farmers at a grassroot level. Vijay helped explain the governmental hypocrisy and corruption that eventually forces farmers go to extremes.

Song is incomplete – but whatever – listen to it – Political Attyachar by Tanvi Srivastava (click to listen).

(Mixing was done on Sony Acid pro. After  many, many attempts on Audition failed. Adobe n Vista are somehow realllly uncompatible. Mixing is to be refined. I got too sick of it.)

Then, today I felt very inspired to make a Dev D inspired poster for Political Attyachar. Made on photoshop, messed around overlays/levels/colour filters – results above n below! BJP don’t be angry – freedom of expression!

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Tata Docomo: Do the New!

Do Do Co Mo Do Co Mo Co Do…

One day I decided to do the new. I decided to go the Docomo way.

As a person who loves to make spontaneous/stupid decisions (and regret them later), it wasn’t a hard decision. I immediately fell in love with the Docomo ads. I first saw them on HUGE billboards on my way home from the airport on the last day of July, returning to Bangalore after a summer of 3 months.

The typeface was young, bold, unusual and simple. Simplicity Japanese style (actually more Swiss style when it comes to the sole use of type). And playful, of course! The C and the O of the DOCO even look like Pacman eating the O! The colours were refreshing – young and complimentary. The fact that the colour combinations kept changing  – from oranges and yellows to blues and greens – and still managed to look sooo good while keeping the brand identity intact was a testament to Docomo’s tagline – do the new!

The san serifs, the web 2.0 feel, the sheer audicity of the huge ‘O’ with the brilliant copy written within it! “Why do the old when you can do the new?” Oh, why, oh, why??? I may not know much, but I sure as hell know that when I see these ads, I really want to do the new!

Lol, Docomo dares you to another level. Move over, staid and sentimental Airtel, here comes the competition! Gone are the days of soppy relationships between Vidya Balan n Rang de Basanti guy! No more AR Rahman music and parent-child connecting the stars. We’re young and we know it! We’re not in for the relationship, we’re in it for the results. And Vodafone – the Zoozoos and the Pug were cute n funny – but you HAVE to get over them at some point.

So I did the new. I got the sim. With much difficulty I may add. Apparently, I wasn’t the only one enticed by the brilliant advertising and the wonderful scheme of 1 paise per second. Apparently all sims within Karnataka were over in a week. Tata promised that sims would be available the week after, but that didn’t happen. It was only a week later that I actually managed to get my sim.

And I’m LOVING every minute of it. From opening the pretty little boxlet which had the sim – with the cute and simple intros to Docomo!  To the brilliant brilliant scheme.

About the scheme – initially, I was like what the hell – nothing that great! 1 paise per second = 60 paise per minute = more than my reliance scheme of 50 paise per min local calls. But then I realised most of my local calls last not more than 15 seconds = 15 paise = 35 paise saving! AND THEN I learnt all national calls were all 1 paise/second. Then I was like WoAhhhh. 60p/min = way cheaper than my reliance 1rs/min!

On the negative side – the customer service is pretty bad. You can tell they’re just starting up. The CSRs don’t know anything. And the wait to speak to one of them is realllllly reallllly long.

On the positive – you get to hear a brilliant accapella singing ‘Do co mo’ while waiting! :)\

Do the new! Me re(do)comend!

UPDATE on Oct 3, 09: Couple of months into buying the sim – how has my experience been so far? Well, quite honestly the network sucks! My friend’s find it impossible to get thru to me – they complain of hearing a beep beep beep sound.. n then nothing happens. I can’t get thru to them at all. Docomo has the audacity of saying on occassion that ‘the number you’re trying to call doesn’t exist!’  And the most frustrating bit is that the signal pretty much always shows full range – when it clearly isn’t true.

I thought this was because I was living in sub-urban Bangalore (Yelahanka) – but the same thing happens to me when I’m in the heart of the city. In front of Koshy’s on Church Street! And its not only me – a friend I encouraged to ‘do the new’  has the same problem.

Sucks! Too good to be true. Regretting hasty decisions :/

Docomo please please please fix your network!

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Stephanie Meyer’s Twilight (should not see the day of light!)

A post a day, keeps the writing depression away! Here begins my daily write of passage, in order to get something substantial by November. A review of the teen-lit Twilight. The craze of all sixth class kids from Singapore to Singapura (home of Sanjay Singh Sir, ‘traditional’ artist, near Yelahanka :D)

Book: Twilight by Stephanie Meyer
Purchased: Pirated Rs 100 from Thippasandra Market road (DESPITE being available for 70 bucks on MG road) Despite real version being available for Rs 350~. No way spending that much on low lit.

Beginning with the cover.

Oh, who hasn’t been tempted by a luscious red apple? A luscious red apple held out in offerance by a set of pale white hands. Set to a dark/mysterious background. If temptation could ever be a book cover – it would be this! Move over Satan! Lol. Aside, the twilight typeface is very nice. I love the slight curve to the letters – especially the ‘l’ and the overlay in the ‘w’. And who would have thought blue would go with red, black n white (my favourite combination ever!!)

The story

The Genesis. Paradise Lost. Jekyll & Hyde. Dracula! The power of knowledge. The eternal battle between the id and the super ego continiously rages in man (or is it only in women??) – ever since Eve fell ( yeah right!).

If Milton, RL Stevenson and Bram Stoker (!!) can do it, why can’t Stephanie Meyer? Don’t ask my why she can’t do it, but I know for a fact that she can’t! Despite beginning with a prologue from the Bible. Yes, vampires are hot (physically cold, but in human teen terms – hot!) And when a human teen with raging hormones (17 year olds, i tell u!) wants a vampire but can’t have him (vice-versa) – you don’t have a great piece of fiction – you have teen semi-porn. Thats it.

The story is weak. The setting – Forks – is boring. Very very uninteresting visual description of locations, events and people.

The Characters

The characters are very sparsely built. The 17 year old Bella’s character completely confuses me. Sometimes she acts like she’s 12 years old – sometimes 19! And the Adonis of vampires – Edward Cullen – is nothing more than hot and mysterious. No depth at all! The parental figures – Charlie and mother (whatever her name is) – are fleeting and weak. The friends – Mike, Tyler, Jess, Lauren – all prototypes of American small-town teens. No individuality. Made from a lump of clay (lol, cf. ). The Cullen family. White, cold, beautiful. Made from a lump of marble.

The Effect on Society

Haha. What a fancy sub-heading. Well, someone told me if Harry Potter changed the world of wizardry, Twilight does the same to Vampires. And I was hopeful. But, no. It’s just more crap to the never ending pile of crap. And to think there are sequels.

Sigh. We need to save the sixth graders. Whatever happened to good old Agatha Christie’s???

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